What are you listening to

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Ginger beardo numero uno haha...

Here's one from the more recent band where we have spurned the whole urge to 'publicise' (except drunkenly on homebrew forums) by doing budget clips.

Unfortunately I don't have any youtube-able clips of the old HC band from the arty days to show you, although I do have some footage, but meh... I let others go to the effort for me and I type "ctrl V"...

Funnily enough doing **** like this sold us out of cds and tshirts on the night of the cd launch alone hahaha...(admittedly only a couple of hundred of each).

 
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Dunno if it looks like I'm taking the piss or not but it is awesome to have seen those 'tubes. Thanks for sharing.
 
sponge said:
Mr Bungle.


Mike Patton (and co.) at his finest.
I think his finest was when he did Dan the Automators 'Lovage'
 
bum said:
Here's the thing about that TV exposure though - that video only has 5,000 hits. 5,000 hits is nothing on Youtube. I don't mean this as a comment on the material or her as an artist but with TV exposure to leverage she should have her music in WAY more ears than that.

From what I'm hearing it is actualy more likely that a band with some following can make some money but it is harder work. Much more DIY and you need to be social media-savvy. It's just different now, I guess.

It is great she's out there sharing her craft everyday (or whatever) but she's playing to nannas and single mums and **** if she's playing a shopping centre. She needs to think about the market she wants and go there. Anything else is just waiting for the mega-happy ending of Wayne's World where Mr Big just walks into the basement and offers the band a major contract.

I'd be really interested to hear what bands you were in if you don't mind sharing. Looking at your profile and checking your DOB, if you were making a little bank it might have been at a time I was seeing bands more often.
Hey Bum,
Sorry I didn't reply last night, fell asleep.
I don't disagree with what youré saying. My point is I saw someone who I had never heard of playing in Queen St. Mall and she was excellent.
She was selling her album, bought one, it is also excellent.
She writes all her own material, plays piano and guitar and sings without auto tune.
She mentioned she had a song played on an American show which I think is a pretty big achievement.
I've looked at her website, she plays clubs and pubs when she can, she has had some success in Australia (including a contestant on Australian Idol) but is still relatively unknown.

Now, I'm probably a bit biased in the way I look at this as I have a 12 year old daughter who constantly plays One Direction, Codey Simpson and various other minimal talent pretty boys who
don't write their own songs, are crap at playing a musical instrument (if they can play at all) sing into a computer that makes them sound the way they do, but are extremely popular.
It ***** me. I could rant about this for hours.

I agree it is a lot easier today to get your music out to people, but I think it can be harder to make a living out of it.

As far as my musical history I would rather not tell you who I played with professionally as I was whoring myself out as a session muso and am not proud of what I did. One was even a country and western artist.

I did play in a couple of local bands in Canberra and while we didn't have any commercial success, we were kept busy, played the odd support for visiting acts like the Angels and Dragon, and I'm happy with what I
achieved with these bands.

Anyway, to finish I'd like to share some "quality"music from todays youth. Enjoy.

 
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Out of the millions of musically talented people on earth, what proportion of them do you think are interested in being commercially successful?
 
I think all of them would like it if they could ply their craft and not have to build **** or clean up after people or do other people's taxes, etc.

Mattress, I was reading the bit about you not being proud of those days and I was thinking "OI! Cut that **** out!" then I saw you drop the C&W-bomb. Forshame!

But seriously I don't think anyone would talk **** about any of it. A gig is a gig. No big acts have ever had me play with them. Never could quite work out why but that's life, innit?
 
bum said:
I think all of them would like it if they could ply their craft and not have to build **** or clean up after people or do other people's taxes, etc.
my point was that almost by definition, in order to be commercially successful you need to appeal to the lowest common denominator.
 
No argument from me.

If you can credit such a thing.
 
In the mid 70s I would sit on the beach at Alanya in Turkey watching the sun go down over the Med, hammered on Efes Pilsen and Raki, listening to Turkish music, which if you have been there for a while just "clicks in".

Over the last 30 years there's a haunting song that I hum at least once a week, and finallyon YouTube.
 
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Saw Mt Eeire tonight.

I haven't really cared for him on record since since The Microphones' days but I have never seen such a commanding performer. Just him and a guitar and a ****-tonne of magic. Second time I've seen him and I was still in awe.
 


So ill... I could just put that on repeat for like a year.
 
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SPK: despair

Here is part of it. The other parts are like noisy (early) punk but this type of early industrial music is my favourite and a precursor to so much other music I love.






Dunno why the second one won't embed
 
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Don't get me wrong I watch the shows like Idol, the Voice and AGT, every now and then someone special comes on mind you they don't last long.
This young bloke here, probably wouldn't go far on an Aussie talent show, but I reckon he's worth listening to.

 
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Haha, grind bands.

http://grindcorekaraoke.com/album/self-titled-albums-are-for-****-who-like-dicks-in-their-***
 
How does one band gather so much wisdom?
 


This is one of my all time favourite songs and video clips. Typically dark from the man in black.
 
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