Jazman said:
Metallica should of quit after the black album and saved some face isntead of producing crap music
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Ahh, so it's after the black album that Metallica should have stopped, eh?? It's interesting that the point at which Metallica's downslide keeps changing all the time. Once Hetfield did an interview and told a story about a fan who spat in his face because he thought that
...and Justice For All was a sell out. People claim the same for black (as you have) and I have heard that it's just St Anger...
Here's my personal opinion of post-
Justice (which is their best album) material...
Metallica (commonly referred to as 'the black album')- full of very 'singleable' tracks. My biggest gripe with this album is that unlike their 80s albums it lacks the complexity that Kirk's constant soloing and complicated rhythm work that Hetfield provides; and it is just the beginning of them expressing themselves more, which they get the hang of later on. However, it contains some very well written songs with (even if they are wah-drenched and not as dense on the ground) soloing from Kirk. Lars, who is one of the best drummers in the world really held it all together. Very good album, with 14 million copies sold, their most successful.
Load This was the second album I bought, after getting
Kill Em All. I was very surprised to hear the changes in Jason's voice (it has matured a lot and for the best), and the very bluesy influence in the album- as Jason is into country music. However, it contains (IMHO) some of their most soulful tunes. 'Outlaw Torn', 'Bleeding Me', 'Hero Of The Day' and 'Mama Said' all accutately protrayed a tortured soul and there were times when I have sat down and listened to it and really been hit by the brilliance of the lyrics. Downsides being that it only really has 2 heavy songs, solos (yet again) too drenched in wah; but less so than in black. Also, Lars seems to have toned down his drumming (the live versions of the songs from this album have much better drumming, obviously something they have realised).
Reload Hmm... I prefer
Load. Both albums were recorded at the same time and intended to be a double album, but released them separately a couple years apart. 'Unforgiven 2' is fantastic, especially when heard after 'Unforgiven'. James is still a lost soul, trying to find meaning in his life (well, it was written at the same time as
load). Highlight for the drumming is, of course, 'Fuel', where Lars totally shines. When I played this with my band, the singer would do the intro, but about 20BPM faster than it should be. So I go nuts with the tremolo picking, then during the chorus (where the guitar part is easy) we laughed at Neil who was going nuts with the double kick. Solos still have too much wah, but Hammett finally started working out how to make it more artful and nice.
Garage Inc I first heard this on Triple M's Classic Album Hour, and I thought it was some album they dug up from the eighties, that actually had good production values (face it, their eighties albums had pretty ordinary production values). Including their '88 album
Garage Days Revisited was a smart move, as it's virtually impossible to find (and if you do, it's impossible to get it for the price that's included in the album title), and 'So What' is just a lot of fun to play on guitar. Lars returns with great drumming and some fantastic soloing from Kirk. Great album to delve into what made Metallica what it is.
S&M I include this because it's a different take on songs we've all heard before. I love 'Call of the Ktulu'; the original was a little plain, and the orchestra added an amazing dimension. I did my own arrangement of the intro 'The Ecstasy of Gold' and it was the best piece I wrote in high school music. Michael Kamen is a brilliant composer- the way he uses minor and diminished sevenths is magic, heralding back to the days of Beethoven. 'No Leaf Clover', the better of the two new songs, is one I enjoy playing (well, until I lost my capo).
St Anger A long wait, and... I was disappointed and loved it at the same time. Lars is great at drumming, pity Bob Rock did the stupid thing and told him to turn the wires on his snare off. GRRRR. To add insult to injury, he angled the mic too much toward the rim and got too much metal ringing. The DVD that came with the CD has better sound. No solos, which was surprising, but understood when watching
Some Kind of Monster. Quite clearly the best songs are 'Sweet Amber' and 'The Unnamed Feeling'. Metallica have moved onto what I call their third style, and like with the Black album, they haven't perfected it yet. However, it has some nice guitar work, which shows the talents of Jason more than that of Kirk, who, well, I'm not sure exactly what he played on the album (traditionally James recorded rhythm parts and Kirk recorded solos), apart from a couple of simple leads.
Very controversial album concerning a lot of hard core supporters (have a look around at fan forums everywhere and attitudes vary a lot). However, I love this album as the end of a journey to hell and back for all of its members, all of which have learned a lot and I hope will share these lessons in albums to come.
Well, I didn't plan for it to be that long... Time for a beer :chug: