Liam_snorkel
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- Joined
- 16/9/08
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I only just saw this Nath. It's a Catalinbread SCOD.What's the orange pedal next to your wah?
Envious BigNath
I only just saw this Nath. It's a Catalinbread SCOD.What's the orange pedal next to your wah?
Envious BigNath
I didn't even realise this thread existed... touche ahb... touche...
I'm primarily a guitarist, but started off learning bass 10 years ago and played drums in my spare time.
A couple of months ago I managed to pick up one of these
Lovely delay pedal with the mods. Without being as good as a tape echo, its a lovely bit of gear.
I don't have a picture of my axe, but it is a LP Supreme that was given to me by my parents for my 18th birthday when they found it it was my alltime favourite guitar.
Really keen on grabbing a PRS as well at some stage as theyre a beautifully made guitar, and also means I have something to play that I'm not as worried about gigging with since the LP will always remain so close to my heart.
Sponge
I spent a fair bit of time building guitars/bass guitars and amps as a hobby. I have slowed down to the point of just doing some so that I can envision myself actually finishing most of the projects I started.
This is a bass rig I built. The amp runs 6 6550's and can put out 300w. Currently I have the head apart so that I can rebuild the preamp circuit to get the sound where I want it.
Here is few things. Notably a guitar and a bass I've built. The guitar was my first build from stratch and I'm pretty happy with it, though the neck angle looks a bit odd to me amongst a few other things. Plays well and sounds great but the solid walnut body means it weighs alot. That amp is a 70W amp that I built with some second hand stuff including some old TV tubes instead of audio tubes. Sounds very nice and has a really nice breakup point. the 15" speaker cab was the top one in the above photo before it was finished, the other is an aussie made 4x12 from the 70's.
The bass in the photos above is one I built. I used the technique fender uses on their maple necks where they put the truss rod in the back so that the neck is one piece, but I used a 5 piece laminate of new guinea rosewood, wenge, zebrano, wenge, NG rosewood. Having a neck through design gives the instrument a pretty cool look where you have the same timber laminate through the whole instrument front and back. The finish on this and the guitar above is danish oil which I love on instruments for it's feel and natural look.
Here are 2 holden/wasp amps made in marrackville in the 70's. They both run 4x6550's at around 700v making for VERY loud amps. They also sound great, though the circuitboard material isn't great. I've since sold one of them and completely rebuilt the other using point to point circuits as the circuit board material was starting to conduct and made the amp very buzzy. I kept the same circuit.[/quote]
I own some nice ****, gig regularly and retract my humble statement form approx a year ago ( - both in regards to gear and ability, I have two gibsons, a V and an explorer, both with Bareknuckle painkillers in them and through an orange 50 watt with gain on 11 they chew up and spit out most other rigs we play with)...but the above is very sexy, and having messed with some WASP stuff I am happy to say that is some serious tone right there. Super-arpeggio playing means nothing without an ear and feel for tone...whereas the guys with tone can hold one note for 3 minutes and it works...and works better than can be expected (like the piece of **** guitars with a decent pickup in them expecting layers of plywood to sound like mahogany all of a sudden). The WASP/Holden stuff has great tone, awesome setup(s) dude!!!
Super-arpeggio playing means nothing without an ear and feel for tone...whereas the guys with tone can hold one note for 3 minutes and it works...and works better than can be expected (like the piece of **** guitars with a decent pickup in them expecting layers of plywood to sound like mahogany all of a sudden).
Have heard plenty of guys over the years make very expensive gear sound like *****.
Practice cures most tone problems- J. Suhr
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More pictures sponge, or they don't exist, just sayin...
I own some nice ****, gig regularly and retract my humble statement form approx a year ago ( - both in regards to gear and ability, I have two gibsons, a V and an explorer, both with Bareknuckle painkillers in them and through an orange 50 watt with gain on 11 they chew up and spit out most other rigs we play with)...but the above is very sexy, and having messed with some WASP stuff I am happy to say that is some serious tone right there. Super-arpeggio playing means nothing without an ear and feel for tone...whereas the guys with tone can hold one note for 3 minutes and it works...and works better than can be expected (like the piece of **** guitars with a decent pickup in them expecting layers of plywood to sound like mahogany all of a sudden). The WASP/Holden stuff has great tone, awesome setup(s) dude!!!
Black_labb, I got into making a gear this year as well. I always wanted a 2x12 speaker cab that wasn't aimed at the back of my legs. I also did a lot of research on side by side v stacked speakers. There's a reason hifi speakers are the way they are (sound), and why guitar stacks are the way they are (looks!).
Last gig I played in bris there were no free drinks for anyone....luckily I had a keg of Munich dunkel in the van.